The Shelley-Godwin ArchiveBitCuratorO Say Can You SeeTransforming the Afro-Caribbean World

The Shelley-Godwin Archive

A digital resource comprising works of Mary Wollstonecraft, William Godwin, Percy Bysshe Shelley and Mary Wollstonecraft Shelley. These manuscripts and early editions will be made freely available to the public through an innovative framework constituting a new model of best practice for research libraries. More

BitCurator

The BitCurator project, a joint effort led by the School of Information and Library Science at the University of North Carolina, Chapel Hill (SILS) and the Maryland Institute for Technology in the Humanities (MITH), will build, test, and analyze systems and software for incorporating digital forensics methods into the workflows of a variety of collecting institutions. More

O Say Can You See

“O Say Can You See”: the Early Washington, D.C. Law and Family Project explores multi-generational black and white family networks in early Washington, D.C., by collecting, digitizing, making accessible, and analyzing over 4,000 case files from the D.C. court from 1808 to 1815, records of Md. courts, and related documents about these families. More

Transforming the Afro-Caribbean World

University of Maryland's Center for the History of the New America (CHNA) has partnered with MITH to bring together scholars of the Panama Canal, Afro-Caribbean history, and experts in the digital humanities, data modeling, and visualization for a two-day planning workshop that will discuss a large-scale effort to explore Afro-Caribbean labor, migration, and the Panama Canal. More
UMD_MITH

MITH Digital Dialogues: MONDAY 3/30, Paul Jaskot (DePaul University) - eepurl.com/bh3xUj

More Projects

Between the Document and the Digital Map: The Need for the Archive and GIS to Analyze the Nazi Built Environment

Paul Jaskot, Professor, History of Art and ArchitectureDePaul University@PBJaskot
Collaboratory for Visual CultureMonday, March 30, 201512:30 pmCo-sponsored by the Art History & Archaeology Department

Please note that this Digital Dialogue is a special co-sponsored talk in conjunction the Art History & Archaeology Department, and occurs on a different weekday and location.

The Michelle Smith Collaboratory for Visual Culture is located in Room 4213 of the Art and Sociology Building.  Click here for a map.

The Central Building Office at Auschwitz was for its time one of the largest architectural offices in Europe with over 150 SS architects and engineers employed as well as an equal number of forced-labor draftsmen. . . . Continue Reading


Performing the Digital Edition: Textual Scholarship and the Digital Consumption of Music Scores

Raffaele Viglianti, Research ProgrammerMaryland Institute for Technology in the Humanities@raffazizzi
MITH Conference RoomTuesday, March 24, 201512:30 pm

What is the future of sheet music? The flexibility of the digital medium, as opposed to the rigidity of the printed form, calls for a more modern concept of the music score.

Even digital sheet music, in most cases, is designed to be printed; it is either produced with typesetting software, or made of images scanned from a printed source. . . . Continue Reading


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