In May 2017, MITH and the African American Digital Humanities Initiative (AADHum) are hosting “Textual Embodiments,” the Society for Textual Scholarship’s 2017 International Interdisciplinary Conference.
Citations: The Renaissance Imitation Mass (CRIM) will extend the idea of the quotable text for music in an innovative and open way. The focal point of our inquiry is the so-called “imitation” Mass, a Renaissance musical genre notable for the ways in which its composers derived new, large-scale works from pre-existing ones.
Our most respected newspapers want their stories to be accurate because once the words are on paper, and the paper is in someone’s hands, there’s [...]
Books are primarily physical objects composed of leaves combined in sections, used as writing supports, and bound together. An increasing number of libraries, archives, [...]
This talk describes the discovery and significance of Etude (1967), a previously unknown work by media artist Nam June Paik identified by the author in the Smithsonian American [...]
In the Republic of the Imagination, Azar Nafisi champions reading as a way to open ourselves to deepen empathy and entice our curiosity. Inspired, [...]
Back in February we announced MITH's involvement in the Documenting the Now project, which is now under way. In a nutshell, Documenting the Now is [...]
The Shelley-Godwin Archive is pleased to announce the public release of Percy Bysshe Shelley’s Prometheus Unbound fair copy notebooks, Bodleian MSS. Shelley e.1, e.2, and [...]
In the course of 14 centuries, Muslim authors wrote, compiled and recompiled a great number of multivolume collections that often include tens of thousands of [...]
A few weeks ago MITH announced that it will be partnering with Washington University in St Louis (WUSTL) and the University of California at Riverside [...]