Are Robots Real? The Robot as an Object of Study
This talk explores the figure of the robot as an object of study, and one that specifically requires an integration of methodologies from both the humanities and the sciences. Traditionally, the figure of the robot has been regarded very differently in these two realms: in the sciences, it is related to the promises of scientific inquiry, and motivates research and innovation in actual technological applications, or the future possibility for such applications. In the humanities, however, the robot is a figure of fiction and science fiction, which, despite its un-reality channels feelings about culture and technology, difference and justice, often in indirect ways. After exploring the implications and fundamental trends of the two modes, the paper proposes that an integrated interdisciplinary methodology would allow us to better understand the attraction and meaning of the robot as a figure, without resorting to the binary opposition between fantasy and reality. Using examples from fiction, popular culture, recent scientific applications and research in robotics, I argue that the two approaches fuel each other: as cultural figures, robots are both real and imaginary, and indeed it is often their imaginary qualities that fuel and inspire actual research. Despite the claims of roboticists that real robots are immanent, the cultural power and meaning of robots comes from their fictional and literary tradition, indeed from their unreality, their virtuality.
Speakers
Professor Kakoudaki teaches interdisciplinary courses in literature and film, visual culture, and the history of technology and new media. Her interests include cultural studies, science fiction, apocalyptic narratives, and the representation of race and gender in literature and film. She completed her doctorate in Comparative Literature at the University of California at Berkeley, and taught at Berkeley and at Harvard University before joining AU. She has published articles on robots and cyborgs, race and melodrama in action and disaster films, body transformation and technology in early film, the political role of the pin-up in World War II, and the representation of the archive in postmodern fiction. She has also co-edited a collection of essays on the work of Pedro Almodovar with Brad Epps (University of Minnesota Press, 2009).
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