RomaJS is a web app for customizing TEI and other ODD-based formats such as MEI.
coreBuilder is an open source web-based visual environment for authoring stand-off markup. The tool aims at making the application of stand-off techniques more approachable in the context of Text Encoding Initiative projects dealing with multidimensional representations of text, without substantially disrupting workflows already familiar to TEI encoders.
In this talk, I will introduce the collaboration of the Pittsburgh Bicentennial Frankenstein team with MITH to produce a new and authoritative digital edition of the 1818, 1823, and 1831 published texts of Frankenstein linked with the Shelley-Godwin Archive edition of Mary Shelley’s manuscript notebooks. We have been hard at work on the project
A dramatic reading of Percy Shelley's Prometheus Unbound will take place on Wednesday, October 25, 3:00 -5:00 pm at the Cafritz Foundation Theatre. The show is directed by MITH's intern and Theater, Dance, and Performance Studies graduate student Victoria Scrimer. Victoria has been working closely with extant draft and fair copy manuscripts of Prometheus Unbound by
The Shelley-Godwin Archive, one of MITH's longstanding projects, is pleased to share two important announcements: The first is the publication of the Scrope Davies Notebook in the Archive. Mislaid and then forgotten from 1818 to 1976, this notebook that Percy Bysshe Shelley entrusted to Byron’s friend Scrope Davies was famously discovered in a trunk in
The Shelley-Godwin Archive is pleased to announce the public release of Percy Bysshe Shelley’s Prometheus Unbound fair copy notebooks, Bodleian MSS. Shelley e.1, e.2, and e.3. Beyond the fair copy of what is arguably Shelley’s greatest poem, these notebooks contain fair copies of his lyric poems “Ode to Heaven” and “Misery.—A Fragment,” as well as
The Versioning Machine was a display environment designed specifically for displaying and comparing deeply-encoded, multiple versions of texts, including a robust typology of notes and bibliographic information. It also displayed manuscript images of each version in an applet which provides for several image enhancement features (such as increased/decreased contrast, image enlargement/reduction, etc. In short, it proved an electronic environment for creating a critical electronic edition. The Versioning Machine made its debut at the 2002 ALLC/ACH (Association for Literary and Linguistic Computing/Association for Computers and the Humanities) Conference in Tübingen, Germany, July 2002.
The Walt Whitman Archive is an electronic research and teaching tool that sets out to make Whitman’s vast work, for the first time, easily and conveniently accessible to scholars, students, and general readers. Working in collaboration with the University of Texas at Austin, as well as the Center for Digital Research in the Humanities at the University of Nebraska–Lincoln, the project team is focusing on Walt Whitman’s annotations and commentary about history, science, theology, and art being discussed during his time.
At MITH we have been experimenting with the networked, distributed transcription and encoding of manuscripts during the first phase of our work on the Shelley-Godwin Archive, a project that aims to provide the digitized manuscripts of Percy Bysshe Shelley, Mary Wollstonecraft Shelley, William Godwin, and Mary Wollstonecraft. The Archive will thus bring together for the
COLLEGE PARK, Md. – The University of Maryland's Institute for Technology in the Humanities (MITH) announces the launch of the Shelley-Godwin Archive (S-GA), a new digital resource that allows scholars, students and the public to explore in one place the widely scattered texts of England's "first family of writers." For the first time together, the archive will