This presentation discusses the conceptualization and development of interactive cartographic platform In the Same Boats: Toward an Intellectual Cartography of the Afro-Atlantic. In the Same Boats is a work of multimodal scholarship designed to encourage the collaborative production of humanistic knowledge within scholarly communities. Comprising two interactive visualizations that trace the movements of seminal cultural actors from the Caribbean and wider
The Hill Museum & Manuscript Library (HMML) at Saint John’s University, Collegeville, Minnesota, was founded in 1965 to microfilm Benedictine libraries in Europe. The project grew rapidly beyond its monastic and European focus. In 2003, HMML began to use digital imaging technologies to document the manuscript heritage of ancient Christian communities in the Middle
This session will include presentations on projects in three very different cultural and social contexts. The purpose of the session is to prompt and facilitate discussion around issues that arise in using digital tools and techniques to support and preserve cultural memory. Each project is nationally important in its own context, but each may also be seen as a
Knowing when and where people came from within Africa, and when and where they went in diaspora, is a major research question affecting the history of the continent and the broader Atlantic world. My proposed solution is to initiate the process of creating the framework to standardize Africa’s geo-political history. Creating a broadly-accepted core
In the course of 14 centuries, Muslim authors wrote, compiled and recompiled a great number of multivolume collections that often include tens of thousands of biographical, bibliographical and historical records. Over the past decade, many of these texts (predominantly in Arabic) have become available in full text format through a number of digital libraries. The
Digital Feminisms: Transnational Activism in German Protest Cultures was a fellowship project led by Hester Baer, the 2014-15 Vambery Distinguished Professor of Comparative Studies. Digital Feminisms examined the reconfigurations of feminist activism in the context of rapid technological change, analyzing how the increased use of digital media has altered, influenced, and shaped feminist politics in the twenty-first century.
Digital Diasporas was the first conference of its kind to bring together to discuss on-going projects and also debate the theoretical, methodological, and pedagogical issues raised by the intersection of the fields of Digital Humanities and African American/African Diaspora Studies.
Irish Resources in the Humanities was developed in 1999 by Dr. Susan Schreibman as a Gateway to sites on the World Wide Web that contain substantial content in the various disciplines of the humanities in the area of Irish Studies. As a rule, commercial sites are not linked.
Please note that this Digital Dialogue is a special co-sponsored talk in conjunction the Art History & Archaeology Department, and occurs on a different weekday and location. The Michelle Smith Collaboratory for Visual Culture is located in Room 4213 of the Art and Sociology Building. The Central Building Office at Auschwitz
Walter Freeman, the world’s foremost proponent and practitioner of lobotomy, was also an obsessive photographer. He almost invariably took photos of his patients before and after surgery, often tracking them down years after the operation to capture their images. These cross-country trips to photograph patients, which Freeman called head-and-shoulder hunting expeditions, consumed the physician during