Since the early days of the field, art and architectural historians have relied on image-based reproductions of our primary source material to do our work. And yet, Photography and digitization—the two main image-reproduction technologies of the twentieth and twenty-first centuries—do not duplicate their subjects uncritically. They have actively shaped our disciplines in sometimes overt, sometimes
MITH is very excited to announce our participation in the Ethics and Archiving the Web National Forum which will be taking place at the New Museum in New York City, March 22-24. This collaboration between Rhizome and the Documenting the Now project will bring together activists, librarians, journalists, archivists, scholars, developers, and designers who are
Led by the Digital Library Federation, Endangered Data Week, February 26 – March 2, is an international, collaborative effort, coordinated across campuses, nonprofits, libraries, citizen science initiatives, and cultural heritage institutions, to shed light on public datasets that are in danger of being deleted, repressed, mishandled, or lost. The goals of Endangered Data Week are to
Social media have transformed our societies and contributed to creation of online public spaces. In the past few years, we witnessed how social media were central to any debate of socio-political movements around the world. Social media were cited as the new catalysts of social change in these contexts. However, still controversies exist about the
This panel and workshop, planned in conjunction with the 2017 Radio Preservation Task Force Conference, focused on innovative workflows for crowdsourcing linked data to build a web of data that can bridge collective heritage. Panelists discussed their work and research in crowdsourcing or linked open data for radio collections, followed by a Wikidata workshop demonstrating how it can be used to connect archival radio collections to a broader web-based community of knowledge.
COLLEGE PARK, MD—The Maryland Institute for Technology in the Humanities at the University of Maryland and the Book Industry Study Group are pleased to announce Books.Files, a new project funded by The Andrew W. Mellon Foundation to assess the potential for the archival collection and scholarly study of digital assets associated with today’s trade publishing
Walter Forsberg, Media Archivist for the National Museum of African American History and Culture at the Smithsonian, will present an overview of the new museum’s audiovisual digitization programs and activities, in place since 2014. Forsberg will discuss how NMAAHC established digital file-management workflows, target specifications, equipment sourcing, and access platforms, alongside screenings of newly-digitized
Led by the Digital Library Federation, Endangered Data Week, February 26 - March 2, 2018, is an international, collaborative effort, coordinated across campuses, nonprofits, libraries, citizen science initiatives, and cultural heritage institutions, to shed light on public datasets that are in danger of being deleted, repressed, mishandled, or lost. The goals of Endangered Data Week are to promote care for endangered collections by publicizing the availability of datasets; increasing critical engagement with them, including through visualization and analysis; and by encouraging political activism for open data policies and the fostering of data skills through workshops on curation, documentation and discovery, improved access, and preservation.
At a moment when public media is facing the threat of elimination from lawmakers, this presentation examines the organizational contributions made by noncommercial media research to U.S. informational history. Taking an institutional approach, this presentation looks at the infrastructural origins of public media in archival distribution practices after WWII. In 1948 educational broadcasters were
Digitization and online access are often presented as an important tool for making history, particularly those whose histories are rarely told, accessible to a broader audience. However, what happens to born-digital materials which can technically be accessed—but whose content and format may not be accessible in the contemporary media environment? In this presentation, I’ll